the crossing

Misha Feigin – classical guitar | Susan Alcorn – pedal steel guitar

Recorded in April 2015 at Modern Cult Records by Steve Good. Photos by Misha Feigin1,3 music by Misha Feigin. 2,4,5 music by Misha Feigin & Susan Alcorn. 5 – originally recorded in December of 2006, electronically processed by Steve Good in 2015.

Tracklist: 1. Relativity [3:05] 2. The Crossing [10:37] 3. Adjustment [2:07] 4. And Still part 1 and part 2 [9:40] 5. String Space [15:45] Total Time: 41:25

“What I’ve done with the piece is to use the sequence of numbers corresponding to the elevation of the terrain in a straight line going from the east coast to the west coast of the United States at the latitude of Louisville, Kentucky as an impulse response which I convolved audio editing with the piece. Convolution is the process of multiplying the values of one linear sequence of numbers by every other member of a 2nd linear sequence of numbers. Convolution Reverb is used widely to apply a “space” to a recorded sound.” — Steve Good

Buy The Crossing (CD, MP3 or LP version) here…

the other side of reflections

Misha Feigin & Susan Alcorn

The Other Side Of Reflections

Misha Feigin– classical guitar (on tracks 1 and 2), dobro (on track 3), balalaika (on track 4) | Susan Alcorn pedal steel guitar

Recorded by Steve Good in Louisville, Kentucky. Produced by Misha Feigin. Photos by Misha Feigin. All Music by Misha Feigin and Susan Alcorn. DPR Records, BMI (c) 2012, 221 N. Clifton Ave. No. 31, Louisville KY 40206

Tracklist: 1. Behind Reflections [12:23] 2. In the Flux [12:35] 3. Aerial Disturbances [18:41] 4. Little Creatures, Lights, and Clouds [10:40]


Buy Misha Feigin & Susan Alcorn – The Other Side Of Reflections (CD or MP3) here…


Susan Alcorn | Photo by David Lobato
Susan Alcorn | Photo by David Lobato

Susan Alcorn is a Baltimore, Maryland-based composer and musician who has received international recognition as an innovator of the pedal steel guitar, an instrument whose sound is commonly associated with country and western music. Alcorn has absorbed the technique of C&W pedal steel playing and refined it to a virtuosic level. Her original music reveals the influence of free jazz, avant-garde classical music, Indian ragas, Indigenous traditions, and other musics of the world. The UK Guardian describes her music as “beautiful, glassy and liquid, however far she strays from pulse and conventional harmony.

In addition to frequent tours throughout North America and Europe, Susan has performed in the UK at the London Festival of Experimental Music, the On The Outside Festival in Newcastle, and the Glasgow Improvisors Orchestra Improvisation Festival; in France at the Musique Action Festival in Vandoeuvre-lès-Nancy, Ateliers Tampon and Instants Chavires in Paris; in Germany at the Leipzig JazzTage and with the ICI Ensemble in Munich; The Stone, CBGBs, and Issue Project Room in New York; Il Continiere in Rome; and at Arsenic and Cave 12 in Switzerland.

Though mostly a solo performer, she has collaborated with numerous artists including Pauline Oliveros, Eugene Chadbourne., the late Peter Kowald, Chris Cutler, Fred Frith, Maggie Nicols, Joe Giardullo, Joe McPhee, Mike Cooper, Lê Quan Ninh, Ellen Fullman, Evan Parker, Ellery Eskelin, and John Butcher as well as continuing projects with Caroline Kraabel, cellist Janel Leppin and Scottish guitarist George Burt.